![]() ![]() ![]() "He wanted the world to experience what it actually felt like to not only be Marilyn, but also Norma Jeane," she said in August. Blonde was the first film on Netflix to receive an NC-17 rating from the Motion Picture Association for what was described as "some sexual content." While the rating initially received some backlash, it received the full support of Monroe's estate as well as de Armas, who came to the defense of Dominik's directorial choices. The term was later popularized in film criticism and feminist theory by film critic Laura Mulvey in "Visual Pleasure and Narrative Cinema" as a way to describe not only the gaze of the male audience member but the gaze of the male characters and the men who created the film.īased on Oates' 2000 novel Blonde, the Netflix biopic follows the life and career of Monroe, from her troubled childhood as Norma Jeane Mortenson, through her rise as a Hollywood icon in the 1950s and '60s, all the way to her tragic overdose and death. While some viewers, like Danielle Victoria Fuentes, did note that Dominik's film was "shot beautifully" and praised de Armas' performance, she (among other viewers) also stated that Blonde was "so made for the male gaze," and it was "obvious" the film was "written & directed by a man." The term "male gaze" was first used by the art critic John Berger in his 1972 work Ways of Seeing in which he analyzed the use of women’s bodies as objects. Steph Herold, a researcher who studies abortion in television and film, called Blonde "so anti-abortion, so sexist, so exploitative." Netflix's Blonde Bombs with Audiences "this movie was nothing but disgusting and a disgrace to Marilyn's legacy," Twitter user wrote. In their reviews, some users quoted a statement from Monroe's final interview with The New York Times in 1986, wherein she said, "Please don't make me into a joke," believing that the movie did just that.
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